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A Suggested/Suggestive Viewing List
(June 2012)
Some initial caveats
This is not a list of cinema's greatest hits nor of the best films and videos of all time; this
inventory, in short, does not constitute a canon. Rather, the entries on the following pages reflect
a variety of criteria. Some works are exemplary, others important or influential or in some
respect noteworthy. Not every title on the list, it goes without saying, is the object of unquestioned
approval or unbounded veneration. This document is above all meant to serve as an educational
resource that offers guidance and encouragement as students seek to find points of orientation
within the vast history of film and video.
By the Law (Lev Kuleshov, 1922, USSR)
Kino Eye (Dziga Vertov, 1924, USSR)
Battleship Potemkin (Sergei Eisenstein, 1925, USSR)
Mother (V. I. Pudovkin, 1926, USSR)
The End of St. Petersburg (V. I. Pudovkin, 1927, USSR)
October (Sergei Eisenstein, 1928, USSR)
Storm over Asia (Vsevolod Pudovkin, 1928, USSR)
Earth (Alexander Dovzhenko, 1930, USSR)
Alexander Nevsky (Sergei Eisenstein, 1938, USSR)
Ivan the Terrible, Part I (Sergei Eisenstein, 1944, USSR)
The Cranes Are Flying (Mikhail Kalatozov, 1957, USSR)
Ballad of a Soldier (Grigori Chukrai, 1959, USSR)
Shadows of Our Forgotten Ancestors (Sergei Paradjanov, 1964, USSR)
Andrei Rublev (Andrei Tarkovsky, 1966, USSR)
War and Peace (Sergei Bondarchuk, 1967, USSR)
The Color of Pomegranates (Sergei Parajanov, 1969, USSR)
King Lear (Grigori Kozintsev, 1970, USSR)
The Ascent (Larisa Shepitko, 1976, USSR)
Nostalgia (Andrei Tarkovsky, 1983, It/USSR)
The Man with the Movie Camera (Dziga Vertov, 1928, USSR)
Turksib (Victor Turin, 1929, USSR)
Ordinary Fascism (Mikhail Romm, 1965, USSR)
Tale of Tales (Yuri Norstein, 1979, USSR)
Russian Ark (Alexander Sokurov, 2002, Russia)
Revenge of a Kinematograph Cameraman (Ladislas Starewicz, 1912, Russia)